Githa hariharan biography of albert
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Marx, movies, memories—Saeed Mirza’s book on Kundan Shah, rats and the conspiracy of silence
Kundan Shah died in October
“Why am I writing this book? Is it because I feel it is necessary and my time is running out? Perhaps that is true. It is becoming more and more difficult to remember the conversations, camaraderie, intellectual debates and dialectical upheavals with a friend…I don’t know, but I have to get this off my chest. I have to present this wonderful, crazy, vulnerable friend of mine to the world because he deserves it,” Mirza read from the book.
The hall at Delhi’s India International Centre was packed, and some sat on the floor. Sudhir Mishra, M.K. Raina, Saeed Naqvi, Swara Bhaskar, Danish Husain and senior editors heard every word, and so did Manoj Kumar Jha, Dev Benegal, Romila Thapar, Sohail Hashmi and Prabhat Patnaik. The organisers had to even keep the garden-facing gate open to accommodate latecomers, some of whom stood in the cold to listen to Mirza. It was
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The Art of Dying
Kunapipi Volume 15 Issue 3 Article 9 The Art of Dying Githa Hariharan Follow this and additional works at: Part of the Arts and Humanities Commons Recommended Citation Hariharan, Githa, The Art of Dying, Kunapipi, 15(3), Available at: Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: research-pubs@ The Art of Dying Abstract My mother has a good memory, but she is not a storyteller. She is too much of a hoarder for that. I once said to her: When we were children, Ram and I ran off one long afternoon and pretended we could not hear you call. We ran all the way down the road, crossed it, holding hands like daring adventurers, and explored the huge empty plot four streets away. We hid there, lying dose and still in the tall grass. You found us somehow, just before it got dark Do you remember? This journal article is available in Kunapipi: 46 Githa Hariharan GITHA HARIHARAN Th
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