Misha didyk biography examples

  • Last name:Didyk · First name:Misha · Nationality:Ukraine · Tessitura:Tenor · Contact:Oksana Cherkashyna (Oksana Cherkashyna) Semashko 8 #
  • Misha Didyk tenor.
  • In the role of Hermann, Misha Didyk revealed a powerful tenor and strong stage presence; he showed excellent acting skills and vocal control.
  • © DR

    General Information

    • Last name:Didyk
    • First name:Misha
    • Nationality:Ukraine
    • Tessitura:Tenor
    • Official website URL:
    • Contact:Oksana Cherkashyna ( Oksana Cherkashyna ) Semashko 8 # 50 Kiev Ukraine Courriel: [email&#;protected] Tél: + 44 00 07 Fax: + 44 00 07 Mobile: + 50 73 06

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  • misha didyk biography examples
  • April

    Sun

    06

    Apr

    Pique Dame

    Opera by Pjotr Tschaikowski, Premiere, Premiere subscription A

    Fri

    11

    Apr

    Pique Dame

    Opera by Pjotr Tschaikowski, Premiere subscription B

    Sun

    13

    Apr

    Pique Dame

    Opera by Pjotr Tschaikowski, Sunday subscription C

    Wed

    16

    Apr

    Pique Dame

    Opera by Pjotr Tschaikowski, Wednesday subscription A

    Sun

    27

    Apr

    Pique Dame

    Opera by Pjotr Tschaikowski, AMAG people's performance

    May

    Sat

    03

    May

    Pique Dame

    Opera by Pjotr Tschaikowski, Mixed subscription C

    Tue

    06

    May

    Pique Dame

    Opera by Pjotr Tschaikowski, Tuesday subscription D

    Sun

    11

    May

    Pique Dame

    Opera by Pjotr Tschaikowski, Sunday subscription D

    Sun

    18

    May

    Pique Dame

    Opera by Pjotr Tschaikowski, Mixed subscription B

    The Queen of Spades plays her cards right in Naples

    Teatro di San Carlo opened its opera season with a work which is not usual for the Neapolitan stage: Pique Dame (Queen of Spades), by Pyotr Ilyich Tchaikovsky, set to a libretto by his younger brother, Modest, based on Pushkin. It is a production by the Staatsoper Hamburg, directed by Willy Decker, revived in Naples by Stefan Heinrichs, with scenes and costumes by Wolfgang Gussmann.

    Decker does not try to make the structure of the plot any clearer with the aid of richly decorated sets, mainly concentrating on the deeper meaning of the opera. The only props around the four black, massive pillars on stage, were a gigantic portrait of Greta Garbo (representing the young Countess), some armchairs and a long table. The stage was kept quite dark and this helped the director (and us) to concentrate on the inner personalities of the protagonists. Some grumblings arose among the experts because of the cut of the pastorale interlu