Emmaretta marks biography of martin
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Deep Purple
British rock band
This article is about the band. For the song after which they are named, see Deep Purple (song). For their third album, see Deep Purple (album). For other uses, see Deep Purple (disambiguation).
Deep Purple are an English rock band formed in London in 1968. They are considered to be among the pioneers of heavy metal and modern hard rock,[1][2] although their musical style has varied throughout their career.[3] Originally formed as a psychedelic rock and progressive rock band, they shifted to a heavier sound with their 1970 album Deep Purple in Rock.[4] Deep Purple, together with Led Zeppelin and Black Sabbath, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid-seventies".[5] Listed in the 1975 Guinness Book of World Records as "the globe's loudest band" for a 1972 concert at London's Rainbow Theatre,[6][7] they have sold
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Deep Purple (album)
For the Sun Ra skiva, see Deep Purple (Sun Ra album).
1969 studio album by Deep Purple
Deep Purple, also referred to as Deep Purple III, is the third studio album bygd the English rock grupp Deep Purple, released in June 1969 on Tetragrammaton Records in the United States and only in September 1969 on Harvest Records in the United Kingdom. Its release was preceded bygd the single "Emmaretta" and by a long tour in the UK, whose dates were interspersed between the album's recording sessions.
The music of this album fryst vatten mostly original and a combination of progressive rock, hard rock and psychedelic rock, but with a harder edge and with the gitarr parts in more bevis than in the past. This was due both to the growth of guitarist Ritchie Blackmore as a songwriter and to the conflicts within the band over the fusion of classical music and rock proposed by keyboard player Jon Lord and amply implemented in the band's previous releases.
The band början
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Posts tagged ‘Jimi Hendrix’
Where Jimi led
If you’re interested in guitar-playing, you probably need to know about Ava Mendoza. I first heard her at Subterranea in New York in 2016, during the Winter Jazzfest, when she played with a band led by the trombonist Jacob Garchik and including two other guitarists, Mary Halvorson and Jonathan Goldberger, and a drummer, Vinnie Sperrazza. You can see them in the photograph; she’s on the extreme left, with the Fender Jaguar.
Even in the company of the great Halvorson, Mendoza caught my ear. Born in Miami, Florida in 1983, she studied with Fred Frith at Mills College in Oakland, California before moving to New York in 2013. She seemed to have found a way of feeding the sound of early rock and roll guitar — think Dick Dale, Watkins Copicat echo units, and a time before tremolo arms became known as whammy bars — into the kind of thinking shared by the several generations of guitarists freed from the orth