Marilyn delpy biography
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PORTLAND, Oregon, U.S.A. &#; Stepping into the theater to see The Social Network, inom found myself wondering if I was going to look at Facebook differently afterwards.
inom looked at MySpace differently after reading a bio of its creators and I was expecting something of the same effect from the movie.
Though I doubted anything in the movie could man me stop using Facebook – because, as a character in the spelfilm says, ‘it’s extremely addictive’ – inom did wonder if it would man me wary the way the back story of MySpace had.
It turned out, though, that The Social Network doesn’t really tell too much about Facebook, because it’s a character movie.
Sure, it has the development of Facebook from its roots as ‘Thefacebook,’ but where the rulle really draws strength, and becomes a great del av helhet of cinema, is in its superb characters and phenomenal dialogue.
Let it be known, however, that not every character fryst vatten great.
Most of the women in the movie fall flat. For the most part, they are po
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Hollywood and the Power of Myth: Zuckerberg, Jobs and Hearst
In this opinion piece, Kendall Whitehouse, director of new media at Wharton, looks back at movie history to offer his perspective on The Social Network, the new biopic about Facebook founder Mark Zuckerberg.
When asked about The Social Network in advance of the film&#;s release, Facebook CEO Mark Zuckerberg told ABC&#;s Diane Sawyer, &#;People get remembered for what they build. People don&#;t care about what someone says about you in a movie.&#; While Zuckerberg &#; as well as others who have seen their lives portrayed on the big screen &#; may wish this were true, the history of the Hollywood biopic often tells a different story.
Rightly or wrongly, Orson Welles&#;s film Citizen Kane has largely shaped our popular perception of William Randolph Hearst. And Hearst &#; for all his influence over the mass media of his day &#; was helpless to combat Welles&#; interpretation of his life. In contrast, when Apple
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Rashida Jones
American actress (born )
This article is about the actress, writer, comedian, and producer. For the television executive, see Rashida Jones (television executive).
Rashida Leah Jones (rə-SHEE-də;[1] born February 25, )[2][3] is an American actress and filmmaker. She is best known for her roles as Louisa Fenn on the Fox drama series Boston Public (–), Karen Filippelli on the NBC comedy series The Office (–; ), Ann Perkins on the NBC comedy series Parks and Recreation (–), and as the eponymous lead role in the TBS comedy series Angie Tribeca (–).
Jones also appeared in the films I Love You, Man (), The Social Network (), Our Idiot Brother (), The Muppets (), Celeste and Jesse Forever (), which she co-wrote, and Tag (). Jones also co-wrote the story of Toy Story 4 ().
She worked as a producer on the film Hot Girls Wanted () and the series Hot Girls Wanted: Turned On (), directing the first episode of the