Zora neale hurston mini biography of barack
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Zora Neale Hurston
American author, anthropologist, filmmaker (1891–1960)
Zora Neale Hurston (January 7, 1891[1]: 17 [2]: 5 – January 28, 1960) was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou.[3] The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays.
Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida in 1894. She later used Eatonville as the setting for many of her stories. In her early career, Hurston conducted anthropological and ethnographic research as a scholar at Barnard College and Columbia University.[4] She had an interest in African-American and Caribbean folklore, a
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Zora Neale Hurston, known for her audacious spirit and sharp wit, was a talented and prolific writer and a skilled anthropologist from the Harlem (New York) Renaissance to the Civil Rights Era. Born on January 7, 1891 in Notasulga, Alabama, she grew up in the all-black town of Eatonville, Florida. Her idyllic life in this provincial rural town was shattered with the death of her mother when Hurston was 14 and her father’s unexpected remarriage. In a few years Hurston was on her own working as a maid. She settled in Baltimore, Maryland and completed her education at Morgan Academy and Howard University.
Hurston’s talent was readily apparent to her professors including Alain Locke and Montgomery Gregory. With Locke’s and Gregory’s support her short story “John Redding Goes to Sea” was published in Howard’s literary magazine Stylus in 1921. Locke recommended Hurston’s work to Charles S. Johnson, who in 1924 published her second short story, “Drenched in Light” in Opportunity
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One of the most creatively formatted books I’ve read is Speak, So You Can Speak Again: The life of Zora Neale Hurston. This biography of Zora Neale Hurston fryst vatten lush with details of her life journey through an expansive career that includes anthropological research of African-American culture and folklore; journalistic and novel writing; playwright and directorial work in the live theatre realm; and activism. She was a valuable contributor to Black History.
The aesthetic of the book draws the reader in, as if we’re seated in yesteryear, flipping through Zora’s memorabilia while a narrative track of her röst plays in our ear. (Inside the front cover is a CD of Zora singing African människor tunes and being interviewed.) A myriad of family and career photos grace the pages, along with inserted folders and pockets containing further gems for discovery—loose-leaf reproductions of playbills and reviews, correspondence, plus excerpts of handwritten drafts and published work.
And then there’